Selected Film:


Selected Film:


Why We Chose This Film

Thoughts, ideas, and things to consider about this film...

Special thanks to MIYU Distribution.

About the Filmmaker

Alice Bissonnet, is a French 2D/CG animator and storyboarder. She studied at Gobelins in Paris and is one of the co-directors of the short film In-Between. She lives in Paris and works in different studios across Europe.

Sandrine Han Jin Kuang is a 2D animator, Character designer and Storyboard artist based in Paris.

Juliette Laurent is an animator, 2D 3D Illustrator and former student at Gobelins in animation.

Sophie Markatatos is a storyteller, color lover and award-winning filmmaker. She graduated from EMCA and Gobelins in France, worked in different animation studios as animator, designer and background painter, and then went to the Royal College of Art. Sophie likes to turn ideas into visual things and enjoys directing films and designing projects from concept to completion. She recently did writing for animation residency in Meknes, Morocco, organized by NEF Animation, where she developed her next short film. Sandrine Han Jin Kuang is a 2D animator, Character designer, and Storyboard artist.

Dive Even Deeper

Try the following to connect further with the film’s story…

Visualize the ‘animal’ that you battle with in social situations

  • How exactly does your animal trip you up? Around the ankles or knees so you can’t get to the places where you’d like to be? Or around your mouth or throat so you can’t express yourself the way that you’d like? Or does your animal work its way internally to make you uncomfortable physically?
  • Once you are better acquainted with how your animal restricts you, think about how you could tame that animal in the future. Think of a word or combination of words that you could say in your head while taking some deep breaths to keep yourself calm when you feel any social anxiety, shyness, or discomfort. Practice the words and breathing ahead of time so you’ll be ready when an uncomfortable moment arises.

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